Fragmente des Verschwindens
by Nils Quak
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Digital Album
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Limited Edition Cassette
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1. |
Inwards
05:20
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2. |
Longitude
08:49
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3. |
No Way I Can Tell
07:52
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4. |
Gestalt
07:12
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5. |
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6. |
Please Give Me Sleep
06:24
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7. |
Wonderland
04:00
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about
Released on Sacred Phrases as a tape.
www.sacredphrases.com
Having issued stunning and staggering sets of modular drone music with dozens of labels around the globe (Umor Rex, SicSic Tapes, Cosmic Winnetou, among many others), Nils Quak now returns with Fragmente des Verschwindens, a seven-track drift that perfectly balances the Nordrhein-Westfalen, Germany-based producer’s pristine patches and meditative stillness. “Inwards,” “Gestalt,” and “Please Give Me Sleep” highlight Quak’s penchant for curious sonic exploration and unencumbered patch studies, creating a welcoming stage for generative, self-playing cycles of sound. “Longitude,” “No Way I Can Tell,” and “I Don’t Think This Would Ever Change Anything,” and closer “Wonderland” wade in a blipping murk of shifting, tectonic tones that peer deep into a post-industrial unconscious while maintaining an air of elegance. The end result is a captivating mix of Keith Fullerton Whitman’s serrated modular work, C. Spencer Yeh’s sublimely serrated drones, and Terry Riley’s celestial minimalism.
www.sacredphrases.com
Having issued stunning and staggering sets of modular drone music with dozens of labels around the globe (Umor Rex, SicSic Tapes, Cosmic Winnetou, among many others), Nils Quak now returns with Fragmente des Verschwindens, a seven-track drift that perfectly balances the Nordrhein-Westfalen, Germany-based producer’s pristine patches and meditative stillness. “Inwards,” “Gestalt,” and “Please Give Me Sleep” highlight Quak’s penchant for curious sonic exploration and unencumbered patch studies, creating a welcoming stage for generative, self-playing cycles of sound. “Longitude,” “No Way I Can Tell,” and “I Don’t Think This Would Ever Change Anything,” and closer “Wonderland” wade in a blipping murk of shifting, tectonic tones that peer deep into a post-industrial unconscious while maintaining an air of elegance. The end result is a captivating mix of Keith Fullerton Whitman’s serrated modular work, C. Spencer Yeh’s sublimely serrated drones, and Terry Riley’s celestial minimalism.
credits
released July 28, 2015
license
all rights reserved
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discography
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Oct 2022 -
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Aug 2022 -
May 2022